English

Connected Speech and Intonation

B2–C2Foundations 14 min

Connected speech links, reduces and changes sounds between words, while stress and intonation carry meaning, attitude and focus. Content words take the stress and function words go weak, so the beat falls on the meaning: The children want to go to the park.

No information at the current level. This view starts at B2: choose B2 or a higher level.

No information at the current level. This view starts at B2: choose B2 or a higher level.

CheatsheetB2–C2

PointRuleExample
Weak formsfunction words are weak inside a clause, strong at its enda cup of tea /ə ˈkʌp əv ˈtiː/B2
Sentence stresscontent words carry the stress; function words stay weakWe want to go to the park.B2
Linkinga final consonant joins the next vowel; /r/, /j/ and /w/ link vowelsturn off /tɜː.nɒf/B2
Elision and assimilationt and d drop between consonants; a final consonant matches the nextnext day /neks deɪ/ · ten boys /tem bɔɪz/B2
Intonationfalls for statements and wh-questions, rises for yes-no questionsWhere do you live? ↘ / Do you live here? ↗B2
Contrastive stressstress the word that carries the contrastI didn't say he stole her money.B2
Informal reductionsyou merges with d and t; gonna for going to; h dropsdid you /ˈdɪdʒuː/ · going to gonnaC1
Attitudethe same words change meaning with the tuneReally? ↗ / Really? ↘↗C1
Focusnew information takes the stress; given words lose itWho broke it? — Tom broke it.C1
Trapstatements fall; a final rise sounds like a questionI live in Leeds. ↘C1
Key and turnshigh key engages, low key closes; falls end turns, rises hold themThat is all from me. ↘C2
Stress shifta stress moves earlier before another stressed syllablethirteen but thirteen menC2

Strong and weak formsB2

WordWeak formStrong form
a/ə//eɪ/B2
an/ən//æn/B2
the/ðə//ðiː/B2
and/ən//ænd/B2
but/bət//bʌt/B2
to/tə//tuː/B2
of/əv//ɒv/B2
for/fə//fɔː/B2
from/frəm//frɒm/B2
at/ət//æt/B2
can/kən//kæn/B2
was/wəz//wɒz/B2
were/wə//wɜː/B2
have/həv//hæv/B2
has/həz//hæz/B2
had/həd//hæd/B2
do/də//duː/B2
must/məst//mʌst/B2
there/ðə//ðeə/B2
that/ðət//ðæt/B2
some/səm//sʌm/B2
her/hə//hɜː/B2
them/ðəm//ðem/B2
Where the strong form appearsExample
At the end of a clauseWhat are you looking at? / Yes, she can.B2
In a contrastIt is a gift from Ana, not for her.B2
For emphasisI do like it!B2
  • Inside a clause, articles, prepositions, auxiliaries, pronouns and conjunctions take their weak form.
  • Before a vowel, the, to and do become /ðɪ/, /tʊ/ and /dʊ/; for, were and there add /r/.
  • As a conjunction, that is weak; as a demonstrative it is strong. I know that she is right. / That one is mine.
  • In there is, there is weak; as a word for a place it is strong. There is a bus stop over there.
  • US: In US English the strong forms of was, of and from have /ʌ/ in place of /ɒ/.
  • The IPA symbols are set out in Sounds and IPA.

Sentence stress and rhythmB2

WordsIn the sentenceExample
Nouns, main verbs, adjectives and adverbsstressedThe children want to go to the park.B2
Question words, negatives, demonstratives and numbersstressedI don't know where he lives.B2
Articles, prepositions, auxiliaries, pronouns and conjunctionsweakThe children want to go to the park. /ðə ˈtʃɪldrən ˈwɒnt tə ˈgəʊ tə ðə ˈpɑːk/B2
  • Stressed syllables come at regular beats; the unstressed syllables between them are said faster and shorter.
  • Sentences with the same number of stresses take about the same time. Dogs eat bones. / The dogs are eating the bones.

LinkingB2

LinkRuleExample
Consonant to vowela final consonant moves to the next syllableturn off /tɜː.nɒf/ · pick it up /ˈpɪ.kɪ.tʌp/B2
Linking rwritten r is pronounced before a vowelfar away /ˌfɑː.rəˈweɪ/ · later on /ˈleɪ.tə.rɒn/B2
Intrusive r/r/ is added after /ɔː/, /ɑː/ and /ə/ before a vowellaw and order /ˌlɔː.rənˈɔː.də/ · sofa and chair /ˈsəʊ.fə.rən.tʃeə/B2
Glide j/j/ joins /iː/, /eɪ/, /aɪ/ and /ɔɪ/ to a vowelI agree /aɪ.jəˈgriː/ · say it /seɪ.jɪt/B2
Glide w/w/ joins /uː/, /əʊ/ and /aʊ/ to a vowelgo on /gəʊ.wɒn/ · how about /ˌhaʊ.wəˈbaʊt/B2
  • In IPA, a dot marks a syllable break.
  • US: US English pronounces every r, so it has no linking r and no intrusive r.
  • US: Between vowels US English says t as a flap /ɾ/, so get it is /ˈgeɾɪt/.

ElisionB2

Lost soundRuleExample
t and dt or d disappears between two consonantsnext day /neks deɪ/ · old man /əʊl mæn/ · last night /lɑːs naɪt/B2
Unstressed vowelan unstressed vowel is lost in some wordscomfortable /ˈkʌmftəbl/ · interesting /ˈɪntrəstɪŋ/ · different /ˈdɪfrənt/B2

AssimilationB2

ChangeBeforeExample
/n/ → /m//p/ · /b/ · /m/ten boys /tem bɔɪz/ · handbag /ˈhæmbæg/B2
/d/ → /b//p/ · /b/ · /m/good morning /gʊb ˈmɔːnɪŋ/ · road map /rəʊb mæp/B2
/t/ → /p//p/ · /b/ · /m/that man /ðæp mæn/ · right place /raɪp pleɪs/B2
/n/ → /ŋ//k/ · /g/ten girls /teŋ gɜːlz/ · in case /ɪŋ keɪs/B2
  • The last sound of a word changes to match the first sound of the next word.

Intonation: the main tunesB2

TuneUseExample
Fall ↘statements, wh-questions and commandsI live in Leeds. ↘ / Where do you live? ↘B2
Rise ↗yes-no questionsDo you live in Leeds? ↗B2
Fall-rise ↘↗reservation, with something left unsaidThe room was clean. ↘↗B2
Rise-rise-falllistsWe need eggs, ↗ milk, ↗ and bread. ↘B2
  • A tone unit is a stretch of speech with one tune; short pauses separate tone units.
  • The nucleus is the main stressed syllable of a tone unit, usually on its last content word. I have lost my keys.
  • For the tunes of questions and tags, see Questions and negatives and Question Tags.

Contrastive stressB2

Stress onMeaning
I didn't say he stole her money.Someone else said it.B2
I didn't say he stole her money.I never said it.B2
I didn't say he stole her money.I only hinted at it.B2
I didn't say he stole her money.I said another person stole it.B2
I didn't say he stole her money.He took it in another way.B2
I didn't say he stole her money.He stole someone else's money.B2
I didn't say he stole her money.He stole something else of hers.B2
  • Stress the word that differs from what the listener expects; the other words keep their normal weight.

Informal reductionsC1

Full formIn speechExample
did you/ˈdɪdʒuː/What did you say?C1
meet you/ˈmiːtʃuː/Nice to meet you.C1
going togonna /ˈgənə/It is gonna rain.C1
want towanna /ˈwɒnə/I wanna go home.C1
have tohafta /ˈhæftə/We hafta leave now.C1
got togotta /ˈgɒtə/I gotta go.C1
kind ofkinda /ˈkaɪndə/It is kinda cold.C1
let melemme /ˈlemi/Lemme see.C1
don't knowdunno /dəˈnəʊ/I dunno.C1
tell him/ˈtelɪm/Did you tell him?C1
and/n/fish and chipsC1
t before a consonant/ʔ/footballC1
  • Before you and your, a final /d/ or /t/ merges with /j/ into /dʒ/ or /tʃ/.
  • After another word, he, him, his, her, have, has and had lose /h/.
  • Informal reductions suit casual speech; formal speech keeps the full forms.

Intonation and attitudeC1

TuneAttitudeExample
Fall ↘flat, final or uninterestedReally. ↘ / Thanks. ↘C1
Rise ↗interest, or a real questionReally? ↗ / Oh yes? ↗C1
Fall-rise ↘↗doubt or disbeliefReally? ↘↗ / Oh yes? ↘↗C1
Rise-fall ↗↘strong feeling: surprise, warmth or ironyReally? ↗↘ / Thanks! ↗↘C1
  • The tune carries the attitude, so the same words change meaning.

Intonation and grammarC1

PointRuleExample
Defining relative clauseone tone unit, with no pauseThe students who passed the exam were pleased.C1
Non-defining relative clauseits own tone unit, with a pause on each sideThe students, ↗ who passed the exam, ↗ were pleased. ↘C1
Parenthetical phraselower and faster, in a tone unit of its ownThe film, I think, was too long.C1
Echo questionrepeats the word heard with a rise, to check or to show surpriseI am moving to Oslo. — Oslo? ↗C1
Open lista final rise shows that the list goes onBring pens, ↗ paper, ↗ ink, ↗C1

Focus and new informationC1

PointRuleExample
New informationthe nucleus falls on the word that adds something newThere is a letter for you.C1
Given wordswords already in the conversation lose their stressI wanted the red car, but they only had the blue car.C1
Cleftsthe stress falls on the word in focusIt was Tom who broke it. / What I need is a rest.C1
Answersthe answer word takes the stress and the rest is weakWho broke it? — Tom broke it.C1

Pitch range and keyC2

PitchEffectExample
High keyengagement, surprise or excitementYou have got the job? ↗C2
Low keyfinality, seriousness or calmThat is my decision. ↘C2
Wide rangeenthusiasmIt was absolutely wonderful!C2
Narrow rangeboredom or restraintIt was fine.C2
  • Key is the overall height of the voice; range is the distance between its highest and lowest notes.

Stress shiftC2

Before a pauseBefore a stressed syllable
He is thirteen.thirteen menC2
She is Japanese.Japanese foodC2
It is unknown.unknown authorC2
  • The rhythm rule: a word's stress moves to an earlier syllable before another stressed syllable.

Hesitation and discourse structureC2

SignalEffectExample
Fillera level tone holds the turn while you thinkI think, um, we should wait.C2
New topicthe pitch starts high again after a pauseThat is the budget. ↘ Now, the schedule.C2
Fall ↘ends the turnThat is all from me. ↘C2
Rise ↗keeps the floor: more is comingFirst we call the client, ↗ and then …C2

Typical errorsC1

WrongRightRule
I want to go to the park.I want to go to the park.stress content words only; function words stay weakC1
I live in Leeds. ↗I live in Leeds. ↘a statement ends in a fall; a rise sounds like a question or a doubtC1
turn off /tɜːn ʔɒf/turn off /tɜː.nɒf/link a final consonant to the vowel that followsC1

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